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March 11, 2020 By cmadmin

A Cotswold Family Life is my sort-of-memoir; a compilation of columns I wrote for Cotswold Life magazine for nearly a decade. It’s a beautifully published book, with some lovely reviews, and I was allowed to read the audiobook, which I loved doing. (My children listen to it when I’m away from home, which is a very bizarre experience!)
I’ve been fortunate enough to have the same illustrator – Laura Barrett – for two of my books: After the End, and A Cotswold Family Life. You can read Laura’s post about the making of After the End here, and I’m delighted to have her back to explain the steps behind her beautiful illustration for the cover of A Cotswold Family Life.

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Illustrator Laura Barrett on creating a cover for A Cotswold Family Life

I was approached by the wonderful Art Director Hannah Wood at Clare’s publishing house, who was looking for a cover for Clare’s collection of articles on her time in the countryside, originally published monthly in Cotswold Life magazine. The memoir would be a ‘a year in the life’; a seasonal look at family life in the Cotswolds.

A Cotswold Family Life

As soon as I read the synopsis, I was sold- my grandparents live in a cottage in Stroud, Gloucestershire so the Cotswolds have always been a picturesque place close to my heart and somewhere I’ve spent a lot of time during school holidays and beyond. It was the perfect commission for me.

The brief was to capture a moment of adventure, with characters loosely based on Clare and her young family. Framing this would be birds, animals and foliage to highlight the changing seasons.

Hannah sent me a loose sketch of where the text would be and a rough idea of how we could layer everything. Her composition turned out to be quite close to the final illustration. I first made a list of the various flora, fauna and animals found in the Cotswolds across the year, and several sketches of how the seasonal elements could work. I referred to Clare’s Instagram to get an idea of how to draw her and her family, and was given rough descriptions by Hannah.

I work digitally, drawing with a Wacom graphics tablet into Illustrator. I draw each element separately before layering everything, experimenting with what works best as I go along. I drew the characters first, as this made it easier to layer everything around them. Sometimes I refer to hand drawn sketches and tracing paper layers, and other times I draw completely freehand. This was a combination of the two. Here you can see the layers building up, before adding more detail.

Just below is the first rough that I sent in, originally in several colour options:

With book covers, there’s normally an awful lot of back and forth in the design process. Due to the nature of publishing and the number of people involved; the design team, author, marketing, and so on, there’s often several options for the cover design discussed, sometimes multiple rounds of changes and occasionally the odd rejection. I was over the moon when everyone was happy with the first round of roughs and I was simply asked to carry on doing what I was doing in a slightly different colour! A rare treat.

Here is the updated rough, with a lot more detail added and the new colour scheme.

After this, the team decided on another colour approach and informed me that the cover was going to have foiled highlights- always an illustrator’s dream to have something printed with foil! I decided that horse chestnut leaves and conkers would signify autumn better so changed these, added even more detail and finally some texture to the layers in Photoshop. I was so pleased with the final printed design!

A Cotswold Family Life

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And I was just as pleased! You can see more of Laura’s work on her website.

A Cotswold Family Life is available in hardback from all good bookshops, and on Amazon, as well as in ebook and audio. If you’d like a personal dedication, I can arrange a signed copy.

Filed Under: Publishing

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